REFERENCES
An incomplete list of works that have influenced me in one way or another.
Badu, Erykah. Worldwide Underground. Motown, 2003.
beaunoise. “Gymnopédie No.1.” Satieworks. Self-released, 2015.
Bochner, Mel. Blah, Blah, Blah. 2009. The Art Institute of Chicago, Chicago, Illinois, United States of America.
The Book of Symbols. Edited by Kathleen Martin. Taschen, 2010.
Brown, Jonathan. Velázquez: Painter and Courtier. Yale University Press, 1986.
Calder, Alexander. Red World. 1963. Chazen Museum of Art, Madison, Wisconsin, United States of America.
Carr, David. “The So-Called Artists Lifestyle.” Final Draft: The Collected Work of David Carr. Houghton Mifflin Harcourt, 2020. pp 365-375.
Clash, The. London Calling. (All songs except for “Train in Vain.”) Epic Records, 1980.
Cocteau, Jean. Succès d’estime. ca 1923. Chazen Museum of Art, Madison, Wisconsin, United States of America.
Cohen, Roger. “French Far Right Wins Big in First Round of Voting.” The New York Times, June 30 2024. New York Times (Online)
Dreyfuss, Henry. Symbol Sourcebook. John Wiley and Sons, 1972.
El Greco. El Entierro del Conde de Orgaz. 1586. Iglesia de Santo Tomé, Toledo, Spain.
Eric B. & Rakim. “Don’t Sweat the Technique.” Don’t Sweat the Technique. MCA Records, 1992.
Frankenthaler, Helen. Hotel Cro-Magnon. 1958. Milwaukee Art Museum, Milwaukee Wisconsin, United States of America.
Frankenthaler, Helen. Pistachio. 1971. Chazen Museum of Art, Madison, Wisconsin, United States of America.
Glass, Philip, Philip Glass Ensemble, & Michael Reisman. “Opening.” Glassworks (Expanded Edition). Sony Music Classical, 1993.
Holzer, Jenny. Installation for Bilbao. 1997/2017. Guggenheim Museum, Bilbao, Vizcaya, Spain.
Jackson, Harlan. Untitled (Mask). 1950. Collection of Larry D. and Brenda A. Thompson.
De Kooning, Elaine. Bacchus #3. 1978. National Museum of Women in the Arts, Washington, District of Columbia, United States of America.
Giménez, Carmen, editor. Tàpies: January 27-April 23, 1995. Guggenheim Museum, 1995.
Krasner, Lee. Untitled. 1949. Museum of Modern Art, New York City, New York, United States of America.
Kruger, Barbara. Untitled (Your body is a battleground). 1989. The Broad, Los Angeles, California, United States of America.
La Luz, News of the Universe. Sub Pop Records, 2024.
Mehretu, Julie. Invisible Sun (algorithm 8, fable form). 2015. The Broad, Los Angeles, California, United States of America.
Miles Davis Quintet. Workin’ with the Miles Davis Quintet. Prestige Records, 1960.
Mitchell, Joan. Piano mechanique. 1957. National Gallery of Art, Washington, District of Columbia, United States of America.
Mitchell, Joan. Sale Neige. 1980. National Museum of Women in the Arts, Washington, District of Columbia, United States of America.
Mosse, George L. The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich. University of Wisconsin Press, 2023.
Nauman, Bruce. Artist Rooms: Bruce Nauman. July 2017-July 2018. Tate Modern, London, United Kingdom.
Orwell, George. Homage to Catalonia. Mariner Books, 2015.
Picasso, Pablo. Guernica. 1937. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.
Ramberg, Christina. Untitled #128. 1986. Corbett vs. Dempsey, Chicago, Illinois, United States.
Ramberg, Christina. Wolf’s Chairback. 1976. Collection of Michael Ramberg, Elkins Park, Pennsylvania, United States of America.
R.E.M. Document. IRS Records, 1987.
Rimbaud, Arthur. “A Season in Hell.” Complete Works, translated by Paul Schmidt, Harper Perennial, 2008. pp 219-242.
Ringgold, Faith. American People Series #20: Die. 1967. Museum of Modern Art, New York City, New York, United States of America.
Rojo, Vincente. Monumente Oscuro. 1962. Museo de Arte Moderno. Mexico City, Federal District, Mexico.
Rothko, Mark. Untitled. 1952-53. Guggenheim Museum, Bilbao, Vizcaya, Spain.
Rothko, Mark. Untitled. 1968. Chazen Museum of Art, Madison, Wisconsin, United States of America.
Simone, Nina. “I Wish I Knew How It Would Feel to Be Free (Live — Montreux Jazz Festival 1976).” Nina Simone: The Montreux Years (Live) BMG Rights Management, 2021.
Spacemoth. No Past No Future. Wax Nine, 2022.
Soulages, Peter. 22 mai 1974. 1974. Museo Tamayo, Mexico City, Federal District, Mexico.
Tamayo, Rufino. Tienda Cerrada. 1958. Museo Tamayo, Mexico City, Federal District, Mexico.
Terkel, Studs. Working. New Press, 1974.
Torres-Garcia, Joaquin. Construction in White and Black. 1938. Museum of Modern Art, New York City, New York, United States of America.
Velázquez, Diego. Las Meninas. 1656. Museo del Prado, Madrid, Spain.
Velázquez, Diego. Portrait of Juan de Pareja. 1650. The Metropolitan Museum of Art, New York, New York, United States of America.
19 May 2025